A sample of Shel Silverstein’s poetry for children. ‘Wouldn't it be nice if Shel were still around to write a song sending up our metaphysical mess?’

24, Shel Silverstein, Muons and God’s Toe
By Michael Sigman

The final episode of 24 has aired, and all that’s left is to wait for the promised movie.

But Shel Silverstein's “25 Minutes to Go” went 24 one better by counting down the final minutes of a Death Row inmate's life, ending with his execution.

The late, great Silverstein is best known today for his children's books, his Playboy cartoons, and for penning such novelty songs as Johnny Cash's “A Boy Named Sue,” The Irish Rovers' “Unicorn” and Dr. Hook's “The Cover of the Rolling Stone.”

The animated Johnny Cash sings Shel Silverstein’s ’25 Minutes To Go,’ live at Folsom Prison

Songwriters are often the best interpreters of their own material, and to me Silverstein's finest work is his own version of the chilling “25.” Memorizing the song got me through eighth-grade chemistry.

I'd aced all of Mr. White's chemistry tests, and yet he sent my parents a "warning letter" predicting a failing grade. I freaked — did I need to get 100s on the tests instead of ‘90s just to pass? Did Mr. White—who was almost as scary as his namesake on another darkly riveting TV series, Breaking Bad—have it in for me because he'd correctly intuited my hatred of science, especially chemistry?

The next morning, longing for oblivion and fearing that, by age 13, I'd already blown my college prospects, I got to class early and begged to speak to Mr. White. In retrospect, Mr. White would have fit right into the cast of Tarantino's Reservoir Dogs. The man who put the "phlegm" in "phlegmatic" shrugged, pointed to the clock and agreed to see me after class. The next 50 minutes were pure torture, but I held on by singing 25 to myself—eyes pinned to the clock and leaving exactly one minute for each verse—and imagining the warm bath of relief once (twice, actually) I was mercifully morphed from the material world into nothingness.

Turned out the warning letter was meant for another Michael, but my fear and loathing of science teachers—and science—was, as the psychologists say, imprinted.

Philosophy became my thing, and I've spent countless hours ruminating on why there's something rather than nothing, without any discernible results. Now it seems that scientists—also preoccupied with that fundamental question—may have opened the door to an answer.

Last week, physicists at the Fermi National Accelerator Laboratory in Illinois claimed to have overcome the basic precepts of Einsteinian relativity and quantum mechanics, which hold, as the New York Times put it in a Page One story, "that equal amounts of matter and antimatter should have been created in the Big Bang and then immediately annihilated each other in a blaze of lethal energy, leaving a big fat goose egg with which to make stars, galaxies and us."

The Fermi group conducted particle accelerator experiments that apparently show that pairs of insanely tiny particles called muons are produced ever-so-slightly more often than pairs of anti-muons. This fortuitous circumstance would explain what they call, euphemistically, "matter dominance in the universe." And what might antimatter dominance look like had things gone the other way? Nihilism could be the world religion, and "whatever" the correct response to any question.

Just as it was perversely gratifying to find out that no one—including the experts—understood the complex financial derivatives that undermined the global economy, it's nice to know that even the top physicists don't really understand the mind-bending contradictions of quantum theory. Maria Spiropulu of the California Institute of Technology in Pasadena called the Fermi results—which you can be utterly confused by here—"inexplicable," while Fermilab's Joe Lykken went for a modest metaphysical hope: "I would not say that this announcement is the equivalent of seeing the face of God, but it might turn out to be the toe of God."

No matter what physicists say, no one knows why the Big Bang happened in the first place—why there's something rather than nothing—or what went on "before" that. Their answer—that by definition there was no "before"—is not helpful.

Shel Silverstein wasn't a religious Jew, but that doesn't mean he wouldn't have studied the Jewish mystical text the Zohar, which posits a time without time when God studied the Torah with as-yet unborn rabbis. Take that, quantum theory. Pre-carnation, anyone?

HarperCollins has announced they'll release a collection of never-before published Silverstein poems and illustrations next year. I can't wait to see it, but wouldn't it be nice if Shel were still around to write a song sending up our metaphysical mess? He could call it Antimatter, Muons and God's Toe. But what rhymes with "A toe the size of Babel's tower"? Jack Bauer.

Writer/editor, media consultant, music publisher Michael Sigman is a regular Huffington Post blogger. Follow Michael Sigman on Twitter: www.twitter.com/majorsongs